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The St. Louis Contemporary Art Museum Hosts its Biennial Dada Ball & Bash

The St. Louis Contemporary Art Museum Hosts its Biennial Dada Ball & Bash 1

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Last Saturday evening, while another deep polar freeze descended on the midwest forcing icy streets into abandonment, the Palladium in Lafayette Square in St. Louis was alive with art and irreverence. Every other year, the Contemporary Art Museum holds its notorious Dada Ball & Bash in honor of the Dada movement and to drum up necessary funds for artist education, outreach, and new exhibitions. Dada, a short but powerful artistic reaction to Nationalism championed art against normality and unbuttoned a very buttoned-down era. That same free spirit vibrated throughout the eclectic crowd decked in Barbarella-esque sequin capes, futuristic jumpsuits, and technicolor space boots.

Taking a nod from its spring exhibition Christine Corday: RELATIVE POINTS, whose site-specific sculptures are made from materials found at the core of stars, this year’s Contemporary Art Museum in St. Louis’ Dada Ball got the Ziggy Stardust treatment. “Everyone is a star at Dada,” says Lisa Melandri, the museum’s executive director “and Corday brilliantly mixes the sciences with fine arts to create elemental and otherworldly objects that force us to think about our relation to the universe.” Carl Sagan and Mork are somewhere high-fiving at the thought.

Artists and It Girls in attendance were inspired by the theme, but also the cultural landscape that CAM tries to reflect. “Few other established institutions inspire the odd, the outliers, and the young artists without connections.” says attendee Samantha Eason, “CAM is something that should be celebrated.”

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